News for July 2010

Gangsta: A Movement that Destroyed a Generation

Now that it seems to be waning, I’ve been able to do a lot of thinking about the last 25 of “gangsta.”  I consider to be among the most toxic thought-viruses ever devised.

It’s easy to point fingers about what’s gone wrong in the past- and I know it’s an easy target.  It’s easy to say that if America hadn’t bought into this destructive fantasy, it might have just been another one.  But gangsta rap actively fed this delusion, it engaged constantly in trying to prove that the outrageous claims made by rappers were absolutely real- that this was truly “life in the ghetto.”  While at some stage or another, this movement might have  represented a genuine identity, or illustrated a genuine problem, I believe it did more to spread that problem than it did to ameliorate those problems.  The problems with this movement were in the subtext.

Gangsta rap screwed up America’s image of poverty- glorifying poverty and crime not just to those who lived in it, but also to people who had little to no actual exposure to it.  It created a generation of people who felt validated by failure, who idolized poverty and exploiting others to evade poverty, and a generation who felt weak and “white” when they succeeded.  They could only claim to be “hard” so long as they didn’t achieve any legitimate success, or at least as long as they didn’t leave whatever place they considered to be the “ghetto.” This generation failed to understand the fiction of the entire genre- taking the message of music completely out of context and feeling threatened by it.  This was fed by the recording industry, who saw an easy cash cow in exploiting anxiety about black culture the way that the film industry had before in blaxploitation- which you could easily consider to be the origin of the entire “gangsta” movement.  I see gangsta rappers as a generation of people who bought into a similarly screwed up fantasy created in films like “Superfly.”

Anybody who went to public school in the 90s will tell you- the new kids in school, the poor kids, the troubled kids, anybody who felt vulnerable in general, clung to being “hard.”  They tried to fake gangsta- or even more unfortunate, the succeeded at becoming gang members.  They were the target audience of gangsta promoters who sold records which competed with each other to depict the most graphic and senseless violence possible.  The movement capitalized on middle america’s fear of black people, and they did it so well that black america jumped on board- who wouldn’t want to be feared?

Gangsta rap was a humongous step backwards for America’s black culture because of the unfair and ridiculous depiction of black people that dominated television for nearly 20 years.   It also nearly destroyed rap by damaging the art form to such an extent that among many circles it was accepted that “rap” should be separated from “hip hop.”  After 20-25 years as a movement, the damage the movement caused is still readily evident.

A generation of musicians and filmakers wrote, rapped, and sang about fighting a lack of opportunity.  A lot of this was well founded, and relevant to some audience at the time.  The trouble is, a lot of people who did not have this problem- a lot of middle class people , espoused the ideas and the lifestyle portrayed to them.  I believe this was because it was simply easier for a generation to believe that  they were being persecuted than it was to believe that they were just losers.

Posted: July 17th, 2010
Categories: culture
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Generic Disco Record



The way I see records like this happening is as follows:
kid: Dad, I really need a hot disco record by somebody like Peter Brown.
dad: if you’re good i’ll get you one on the way home from work this friday.

Dad goes to the store, and finds that he can get this GREAT compilation of a bajillion disco hits for $3.99 and jumps on it. Then he gives it to the kid who immediately finds out that its not the original artists, its some pretty average 4 piece cover band with an upright piano. DAD!
So, without further ado, I present to you, a Friday double feature from Disco Dancin’ Fever from Pickwick records-notorious maker of children’s story and haunted house records.
Dance with Me, and Risky Changes.

If there was really such a thing as “disco standards” then this record covers them. I really like records like this, because since most of them were made right as disco was waining a little bit(1978) they illustrate the disco-house transition in a way that we seldom see done. Listen to that little bit of compression on Risky Changes as it cuts through the cheesy piano lines-thats house in the making. Records like these are a much more effective tool at looking at music history than the ones by the artists themselves because they’ve cut all the artistic quality out of the record and made it entirely as generic as possible. So I guess if you wanted the most generic possible distillation of what dance music looked like in 78, this would be a better place to look than an “original” band who is going to fill their record with “personality” – although I really can’t give disco too much credit for that.

Posted: July 4th, 2010
Categories: Media
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